Showing posts with label list. Show all posts
Showing posts with label list. Show all posts

Wednesday, August 12, 2009

Summer Update; or, She Speaks!

Let's skip all the "where have you been, young lady?" formalities for now.

Since the last time I stopped by, I've become something of an 'expert' in hair color.  Though blondes definitely dominate the bulk of hair color study, I did find one unusual book about redheads (a color close to my heart, and my scalp); and no offense brunettes, but it seems to be that most blonde-centric writers deal with you only to bring up that you are the OPPOSITE of what the point at hand.  Well, at least you get some space in the pages.  Which is more than I can say for natural redheads, and then all those brilliant, day-glo "outcast" colors.  Purple is very much so a color.  But you wouldn't know it, when the only aberration of natural hair coloration mentioned is in the form of peroxide.  Ick.

Aside from this, I've made a few trips to the Museum of Sex in New York (I know, all work and no play makes Jackie a dull girl), the NYPL, and the Rutgers' libraries.  I actually have another Rutgers trip this Friday; in case the books I picked up tonight don't last me past tonight, I suppose.  Foolishly, I ended up at the Alexander library when I meant to get my lost ass over to the Douglass location.  I didn't walk away empty-handed, though!

  • Stay Out of the Shower: 25 Years of Shocker Films Beginning with 'Psycho' written by William Schoell


  • Horror Film: Creating and Marketing Fear edited by Steffen Hantke


  • Dark Romance: Sexuality in the Horror Film written by David J. Hogan




I need to balance all these books out with a nice little queue I've accrued on Netflix for horror documentaries.  

Friday, May 22, 2009

"slasHERS" reading list

I would like to take this opportunity to assure all of you that I know what I'm doing, no matter how erratic it may currently seem.  That said, I'd like to briefly map out my latest train of thought.


It's no secret that everything will be filed away under the umbrella thesis of addressing ART v. PORN v. CENSORSHIP in a feminist critique of mainstream culture.  The "easiest" way to go about the subject matter(s) at hand was to begin by breaking everything down into three main categories: ART v. PORN; ART v. CENSORSHIP; and PORN v. CENSORSHIP.  Granted, it's become increasingly clear that several topics breach my self-designated pigeon-holes, I'd still like to pretend this is an efficient way of filing everything.


Currently, I'm working on ART v. CENSORSHIP: more specifically, a portion titled "SlasHERS," which remains dedicated to addressing Sexuality and Censorship in Horror films.  For months, I've been slowly softening my brain and traumatizing myself with Sunday morning rape scene montages and daily intakes of wretched remakes.  I'm still enjoying myself far too much, given the circumstances.  I also continue to accept interviewees for my "SlasHERS" questionnaire, and I advocate for the promotion of this particular project above all others (for now).  


Before delving too deeply into the history of women in film, or any of my more particular, newfound interests, I thought it proper to read up on the social context of the horror film.  Nothing is ever this simply, however.  My horror-centric research has remained true to its purpose, in examining:

_A Brief history on horror films, leading into why the genre is simultaneously so popular and so taboo (how films have mirrored cultural shifts, what the genre says about us as viewers/does it say anything?, what the current and future state of horrors look like...)
_Girls & Boys v. Death: *Gender in Horror *The History/context of a Final Girl *how boys v. girls are preyed upon as victims *how boys v. girls kill
_Technicalities (camerawork, conventions, "the norms of the abnormal"...)
_The Inescapable Sensuality of Death in Horror
_Exploring Artistic License: *namely, in rape revenge cinema (how much "should" be shown) *censorship in horror *overview of censorship in film
_How Controversial Ads Effect the Horror Experience
_Remakes
_Comedy in Horror

******************************


I have also begun developing a side-story on quirkier particulars through: 

(MisSinEma- a brief on the history of women in Hollywood)

_Hair Die: How Color Effects Well-being and Perceived Personality in Film
_Feminine Agency, Villainy, and Power: through shades of darkness (film noir, over-exposed Hollywood, and most importantly, horror)
*********************

More on this to come.

My summer reading list is about five miles long at this point, but my top priorities are:
  • Complicated Women: Sex and Power in Pre-Code Hollywood written by Mick LaSalle

  • Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema written by Thomas Doherty

  • The Book of Film Noir edited by Ian Cameron

  • Dark Romance: Sexuality in the Horror Film written by David J. Hogan

  • Horror Film: Creating and Marketing Terror written by Steffen Hantke

  • The Monster Show: A Cultural History of Horror written by David J. Skal

Tuesday, April 28, 2009

Shock Full o' Fear

On my way to and from my car, I had a lovely, dreadful idea.  Maybe it was walking through one too many spiderwebs, the light rain, or the red hair dye stains I still sport under my clothes, or the uncharacteristically pitch black street, or the fact I did this all barefoot and very much so uncomfortable, but I'd like to try something here.

What is it that scares you?  You don't even need to like horror movies to get in on this one: you're already overly qualified to respond, unless you don't feel fear.  But don't be a jerk, this isn't an online display of masculinity, okay?  In particular, I suppose I'd just like to get a collection going, of various fears that would truly make you uncomfortable on-screen. 




So to start, I'm scared (or my nerves get tangled)... 

  • ... of people, more-so than any of that supernatural crap.  
  • ... when the director deploys that shot that allows the audience to see that the pale face, or mask, or silhouette, of that monster/killer you've been avoiding all along has actually been watching and waiting patiently from the corner of the screen, shrouded in the darkness of your doorway all along--oh my God! how long have they been there?  That gets me every time.
  • ... for our Survivor, only when they aren't some lame stereotype and you start to feel for them; Paris Hilton, no matter how many horror movies she experiments with, will never garner my helpless voyeur-protection from over here in the audience.
  • ... when the Prey-character has to endure physical traumas, but not necessarily in a Knife-to-the-Face sense; when she's running around barefoot and accidently stomps on glass, or in Planet Terror, when Dr. Dakota Block, partially paralyzed, breaks her wrist trying to open the car door... those bone-crunching/blood-inducing gross-outs that are rooted from everyday nuisances make me feel terrible for our Underdog Hero, as their struggle becomes increasingly apparent. 
  • ... when, in zombie flicks, you realize: Oh my God, look at all those zombies!  And our heroes are certainly screwed.

Thursday, April 23, 2009

'Tis the Season for Receiving

What a week.

Let's have a moment of silence to commemorate exactly how cool it is that I can sit on my ass long enough to say that!

Alright, loves.  I drove up to Vermont last week to visit (I cannot believe I'm saying this!) my campus.  And I am so unbelievably excited about this place.  Honestly, you will be too.  What blows my mind in particular is: 1. I will be cold... all the time... which is ideal for my polar-bear self; and 2. Similar to Hampshire College and Bennington, etc, seniors are expected to complete, essentially, a dissertation, alongside a two hour oral presentation of their final project.  Any ideas what my project will be?

Hard to believe it, but I think I can work college in a way to prevent school from conflicting with the book.  Score.

So I visited the school, I got to walk around and eat crappy food like a real college kid.  And it was divine.  It also gave me a bit of a break from this little whirlwind.  My birthday is coming up in less than a week--it still blows my mind that I only have 5 days remaining to be an awful teenager--and so I may spend the next few days teetering on the edge of staying on the grid and falling back out of sight again.  Rest assured, dears, I'll be back...

I've gotten some amazing interviews back from various people, and I'm currently working on one for Ms. Sarah of Fatally Yours which is, by the way, a wicked cool site.  And if she's reading this, rest assured, I haven't forgotten about getting it out... you just do too much!  That's something I've come to realize about all these wicked awesome ladies in horror.  So many of them have a million projects, a million deadlines, a million everythings to balance... and they never fail to deliver.  A special challenge has come in the form of interviewing women in interview for a living.  I, personally, love flipping the tables on them and putting them on the spot.  Journalists--surprise, surprise--are clearly thought-driven creatures; so it's always a delight to get their responses in.  I digress in my accidental flattery.

I'm waiting on a few books to come in, all of which I'm terribly excited over.  'Tis the season for receiving--it's my birthday, I'll be spoiled if I wannaaa--and these are some books I'm excited to receive:
  •  From Reverence to Rape: The Treatment of Women in the Movies written by Molly Haskell
 
This particular book comes closest in nature to remaining on (current)
topic with my subject matter: women in (horror) film.  I've already gone
through Recreational Terror and Men, Women, and Chainsaws --both of
which were essential reads--but this book takes an interesting turn,
in that it doesn't deal exclusively with horror, and that rape may be discussed
in greater depth.  How morbid am I for loving that?
  • Ad Women: How They Impact What We Need, Want, and Buy written by Juliann Sivulka

I know, I know: we don't have to say it out loud, but I went right
ahead and went off topic.  Forgive me.  For those who don't know,
this entire book will not focus solely on horror movies: as of now,
my research topics have been divided, quite simply, into 
ART v. PORN
ART v. CENSORSHIP, and
PORN v. CENSORSHIP;
later on in my research frenzy, I plan on addressing sexuality
and gender as addressed by marketing teams.  More pictures will
come in time--I'm ranting as it is--but my main focus originated with
Dov Charney (American Apparel) and Terry Richardson (freelance
fashion-sleaze photographer).  With this book, as with the next few to be
listed, my focus is slipping over to how women impact the scene.
Because we'd all be lying to ourselves if we didn't give due
credit to the ladies.  Remember the ladies, okay?
  • Something in the Way She Moves: Dancing Women from Salome to Madonna written by Wendy Buonaventura 

I am... not entirely sure what it is this book will be in response to,
as far as my project goes.  Let's see how I can link this into my research...
How about this:
I will discuss porn culture, along with sex work in general, so 
stripping (and how, of all the sex professions, this one in particular has become
so DIY, so integrated into both bedroom and social cultures alike) will surely
come up, and from there, I wanted to look into Burlesque.  What is the difference
between Burlesque and Simply-Stripping?  If it's a matter of art,
of humor, or self-awareness on behalf of Burlesque, then I'd like to look
further into dance as a sexual--and not necessarily literal SEX-centric--
art form.  The art of tease, as it were.  Since dance is really so focused
on the body as it is, so certainly it could be liked to gender and self-
expression of sexuality.
There.  Told ya I could do it!


This, now, leads me to me latest revelation: Valerie Steele is kinda amazing.  Whether or not shoes or pretty clothes hold you mesmerized as they do she, you'd be out of your mind to deny her contribution to the fashion world, and the analytical, feminist one, at that.  She seems downright brilliant, and when fashion isn't off topic, I can't wait to read up on her work more.  In the meantime, here are some of her selected books, that I will shamelessly sneak peaks into, in between scenes of slaughter and Michael Bay remakes.
  • The Corset: A Cultural History written by Valerie Steele
The punk in me is showing.  And what about that cover isn't 
gorgeous? 
The book opens with: 
"The corset is probably the most controversial garment in the entire
history of fashion,"
and that, right there, sold me.  If I'm looking to address the sexual
provocation in fashion advertising, wouldn't it narrow-
minded to avoid the complete opposite: the uber-restrictiveness
of that garment we love to hate/hate to love--the Corset?
  • The Red Dress written by Valerie Steele

This particular book discusses the topic of Red in actual fashion pieces
as well as what the color, as a color, means.  Even if I can't fit this book into
my research, I'm curious to read this one.
  • The History of Underclothes written by C. Willet Cunnington

Again, I don't necessarily hold out any serious hopes that this book will
severely change the course of my own book, but the synopsis
did make mention of some little-known (to me, at least) fashion curiosities,
like an early prototype for a men's corset.  Hopefully I can find
some little snippets of info like that to plug in to the fashion section.
Who knows!
  • Fashion Cultures: Theories, Explorations and Analysis/Fashion and Its Social Agendas: Class, Gender, and Identity in Clothing
/
These I group together, not because I'm lazy or they're really
a dime-a-dozen quality, but because they run alongside
the same theme.  How that theme comes into play here...
fuck it, I'm too lazy to get into it.



This is everything, for now.  

Friday, April 3, 2009

B is for "buzz," "B List," and broken sentences

So so so.

I am completely buzzed.  And completely in love with making posts.

Then there's my ever-intimidating movie list.  Care to see?
  • Accused, The
  • American Psycho
  • American Psycho 2
  • April Fools Day (original + remake)
  • Bad Reputation
  • Baise Moi
  • Bare Behind Bars
  • Behind the Mask: the Rise of Leslie Vernon
  • Black Christmas (original + remake)
  • Blood Spattered Bride
  • Bloodsucking Freaks
  • Body Parts
  • Brave One, The
  • Burning, The
  • Cannibal Holocaust
  • Clockwork Orange, A
  • Copycat
  • Deliverance
  • Descent
  • Descent, The
  • Devil's Rejects, The
  • Experiment in Torture
  • Extremities 
  • Eye For An Eye
  • Eyes of a Stranger
  • Frenzy
  • Going to Pieces
  • Gore Gore Girls, The
  • Graduation Day
  • Graphic Sexual Horror
  • Grindhouse: Death Proof
  • Happy Birthday to Me
  • Hard Candy
  • He Knows You're Alone
  • High Tension (Switchblade Romance)
  • Hills Have Eyes, The (original + remake)
  • Hitcher, The (original + remake)
  • Hostel
  • Hostel 2
  • House of 1000 Corpses
  • House on Sorority Row, The (original + remake)
  • House of Wax (original + remake)
  • I Know What You Did Last Summer
  • I Spit On Your Corpse, I Piss On Your Grave
  • I Spit On Your Grave
  • Irreversible 
  • Kinky Killers
  • Kiss the Girls
  • Ladies' Club, The 
  • Lady Snowblood
  • Last House on the Left, The (original + remake)
  • Lipstick
  • MALEVOLENCE 
  • Mother's Day
  • Ms .45
  • My Bloody Valentine (original + remake)
  • Naked Fear
  • Nurse, The
  • P2
  • Peeping Tom
  • Pervert!
  • Play Misty For Me
  • Pretty Bloody
  • Prom Night (original + remake)
  • Psycho
  • Pulp Fiction
  • Scream
  • Single White Female
  • Sleepaway Camp
  • Slumber Party Massacre
  • Snuff: a documentary about killing on camera
  • Stepfather, The
  • Stupid Teenagers Must Die
  • Teeth
  • Terror Train
  • Thelma and Louise
  • Thriller: A Cruel Picture
  • Urban Legend
  • Zombie Strippers

And... that's it.  If anyone out there caught on to the pattern there and has more to recommend, please pile it on!  I love intimidating lists.

So those movies have been swallowing up my life lately; and I still have aways to go.  I'm also still taking interviews on "slasHERS: the sensuality of a hot, steamy bloodbath."  But I'm loving being this busy.